Fontaine Scarelli is a Chicago-based contemporary abstract expressionist painter known for large-scale works that exist between psychological landscape, cinematic atmosphere, and emotional architecture. Working primarily in oil, Scarelli creates paintings that feel less like static objects and more like transmissions pulled from memory, time distortion, and human tension.

Drawing from the language of post-war abstraction, science fiction anthologies, music, film, and the emotional weight of solitude, Scarelli's practice balances chaos with restraint. His surfaces are layered, physical, and deeply intuitive, often carrying the sensation of erosion, collision, or fragmented thought. Rather than approaching painting as decoration, Scarelli treats the canvas as a place where emotion, instinct, and atmosphere can fully collide.

His work has been featured internationally through solo exhibitions, hospitality collaborations, film licensing, architectural acquisitions, and large-scale residential commissions. In 2025, Scarelli presented the solo exhibition 11:11 On Another Planet in Hong Kong and completed a two-month solo exhibition, residency, and live painting installation at Fairmont Chicago, Millennium Park. His recent solo exhibitions also include Fractured Continuum at 737 N. Michigan Ave. in Chicago and Temporal Nexus at Poliform during the River North Design District Fall Gallery Walk.

Scarelli's work has been licensed by Netflix for the feature film 72 Hours and acquired by Perkins&Will, one of the world's leading architecture firms. His paintings have also been exhibited through Luminaire during Art Basel Miami Beach, inside The Merchandise Mart in Chicago, and at the International Museum of Surgical Science for the IMSS Art Fair. His work has been featured by WGN-TV, L'Officiel St. Barth, Milk X Hong Kong, and Visual Art Journal.

He currently lives and works in Chicago.

FONTAINE SCARELLI

Born 1987, Chicago, Illinois
Lives and works in Chicago, Illinois

REPRESENTATION

Guy Hepner
Virgil Catherine Gallery
Gallery 1871
Moberg Gallery

SOLO EXHIBITIONS

2026

A Stitch in Time
Fairmont Chicago, Millennium Park
Chicago, Illinois

202511:11 On Another Planet
Hong Kong

2025

What Dreams May Come
Gallery 1871
Chicago, Illinois

2024

Fractured Continuum
737 N. Michigan Ave.
Chicago, Illinois

2024

Temporal Nexus
Poliform
River North Design District Fall Gallery Walk
Chicago, Illinois

SELECTED GROUP EXHIBITIONS

2025

IMSS Art Fair
International Museum of Surgical Science
Chicago, Illinois

2025

Art Basel Miami Beach with Luminaire
Miami Beach, Florida

2025

Gallery 1871 Group Exhibition
Chicago, Illinois

2022–2024

Open Studio Exhibitions
Greenleaf Art Center
Chicago, Illinois

SELECTED HIGHLIGHTS

  • Artwork licensed by Netflix for the feature film 72 Hours

  • Work acquired by Perkins&Will

  • Multiple acquisitions by an international Midwest architecture and design firm

  • Multiple large-scale residential commissions for private collectors and luxury interiors

  • Exhibited inside The Merchandise Mart through assembled works and gallery collaborations

  • Featured by WGN-TV

  • Featured in L’Officiel St. Barth

  • Featured in Milk X Hong Kong

PRESS & MEDIA

WGN-TV
L’Officiel St. Barth
Milk X Hong Kong
Visual Art Journal
ZTYLEZ Hong Kong

SELECTED COLLECTIONS

Perkins&Will

Private collections throughout:

  • Chicago

  • Boston

  • California

  • Barcelona

  • Hong Kong

  • Germany

FONTAINE SCARELLI


Artist Statement

My paintings emerge from a lifelong fascination with the unknown. Growing up as an only child, I spent much of my time alone, constructing internal worlds shaped by the psychological tension and existential ambiguity of The Twilight Zone and The Outer Limits. That early solitude continues to inform my work, not as nostalgia, but as a foundation for exploring uncertainty, perception, and emotional endurance.

I work through themes of time, memory, and survival, allowing moments of control and disruption to coexist on the surface. My process is physical and layered, building and resisting the image simultaneously, until something honest reveals itself. I am not interested in illustrating an idea, but in creating an environment where tension can exist without resolution.

For me, painting is not decoration. It is survival. It is a space where instability becomes structure, and where the invisible weight of lived experience can take form.